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J/D 2007, DVD 30min. Director: Hito Steyerl, Editor: Stefan Landorf, Protagonist / Assistant: Asagi Ageha The director goes on a search for a bondage picture, taken of her 20 years ago in Tokyo.

Rosa von Praunheim Stadt der verlorenen Seelen AKA City of Lost Souls (1983) Duration: 88 minutes Imagine Hedwig and the Angry in reverse. Yes, Lila (Jayne County), a daughter of American anti-Communists eventually winds up in East Berlin as rock'n'roll TV star. Her hit song: "I Fell in Love with a Russian Soldier." The lyrics leave out that he got her pregnant.

Includes:Fall 1 (Los Angeles 1970)Fall II (Amsterdam 1970)I'm Too Sad To Tell You (1971)Broken Fall (Geometric) [West Kapelle - Holland]Broken Fall (Organic) [Amsterdamse Bos - Holland]Nightfall

The infamous recorded outtakes of Orson trying to get through a spot for Peas. No clue on the exact date, but rumors speculate that it originates from the 1960's.

The Seashell and the Clergyman (French: La Coquille et le clergyman) is an experimental French film directed by Germaine Dulac, from an original scenario by Antonin Artaud. It premiered in Paris on 9 February 1928. The film follows the erotic hallucinations of a priest lusting after the wife of a general. Although accounts differ, it seems that Artaud disapproved of Dulac's treatment of his scenario. The film was overshadowed by Un chien andalou (An Andalusian Dog, 1929), written and directed by Luis Buñuel and Salvador Dalí. Un chien andalou is considered the first surrealist film, bu

Guillaume ApollinaireCalligrammes: Poems of Peace and War (1913-1916) Calligrammes: Poems of Peace and War (1913-1916) [PDF, 80mb] Translated by Anne Hyde Greet Notes by Anne Hyde Greet and S.I. Lockerbie Introduction by S.I. Lockerbie Published in 1980 Selections from "Calligrammes", 1912-1918 La Petit Auto Coeur Couronne et Mirror Il Pleut La Mandoline l'oeillet et le Bambou La Colombe Poignardée et le Jet d'Eau Madeline Venu de Dieuze

William S. Burroughs + Brion Gysin + Genesis P.Orridge Cold Spring Tape (1989) http://ubu.com/sound/p-orridge.html

http://ubu.com/aspen/aspen3/bandstand.html

1965, sound, colour, 8 mins, 16mm. 'A journey through the underground of sensory derangement, where the mysteries are enacted in the theatre of the soul.' 'Among my favourite...beauty and excitement.'- Jonas Mekas 'Like a ritual of incantation with its drum punctuated visual changes.'-Sheldon Renan. 'A very beautiful work...the abstractions drawn directly on film are like the paintings of Miro moving at full speed to the rhythm of an African beat.'- Dominique Noguez. BIOGRAPHY Storm de Hirsch was a very important player in the New York Avant-Garde film scene of the 1960s, though her biography

1972, 15 min, b&w, sound In an ironic intersection of two systems - arcane theoretical discourse and popular music - Baldessari sings a tract by Minimalist artist Sol Lewitt. Introducing this performance by noting that "these sentences have been hidden too long in exhibition catalogues," Baldessari sings Lewitt's forty-five-point tract on Conceptual Art to the tunes of The Star-Spangled Banner and Heaven, among other songs. Baldessari's witty "art aria" functions as a meta-conceptual exercise. ----------------------- This title is available for exhibitions, screenings, and institutional us

Electronic Music Review Reynold Weidenaar & Robert Moog, editors, Independent Electronic Music Center, Trumansburg, NY. Numbers 1-7 (all issues), Jan 1967-Jul 1968. Hugh Davies, Guest Editor for double-issue 2-3, which was co-published with the GRM de ORTF, Paris. Scanning copies provided by kind permission of Reynold Weidenaar.

Duration 3 min 44 sec Switch! Monitor! Drift! is a videotape by Steina that was made in 1976 . It is part of her Machine Vision series-a group of tapes and installations which question our assumptions of point of view, "our" visual spectrum, our sense of where we are in terms of what we see . Steina shows the tape rarely, apparently believing it to be too specialized or too long (it is the longest tape she has made : at fifty minutes it is two times as long as any of her other tapes) . As I will indicate, the tape is rich in ideas and visually pleasurable . It deserves to be seen The most impo

(read by Gregory Laynor in 2008) http://www.ubu.com/sound/stein-moa.html

Three Songs Play Paper Nivea Cream by Alison Knowles (1962) Alison Knowles - A Nivea Cream Piece For Oscar (Emmett) Williams (1962) Alison Knowles, "Nautral Assemblage. Le Vrai Corbeau," 1984 (5:05) Bean Sequences • Bohnen-Sequenzen Glide Hall Banisters Descending Clogs Event Mechanical Saw California Sandals Rocky Mountain Train, 5 A.M. On Orchard Street Paper Pulper With Vacuum Table Frijoles Canyon

Playlength: 30 minutesOriginally an installation: two channel video with sculptural elements presented by Art Production Fund in collaboration with the Park Avenue Armory and SothebysMonologue texts by Alissa Bennett "The new 30-minute two-screen video grew out of a period of desperation in her life, after a year in which she made no art at all. At that time, in 2007, she was traveling almost nonstop, mostly between Berlin, where she lived for several years, and New York, where she is now an assistant professor at New York University. In the winter of that year, the sun would set in Berlin bef

http://www.ubu.com/film/kitchen_anderson.html

Duration: 25 mins 'The Call of the Wild' juxtaposes events in the wilderness of Lewis (Western Isles) with urban Edinburgh. Drawing influence from films such as 'Walkabout', 'Picnic at Hanging rock 'and the anthropological film 'Les Maitres Fous' (The Mad Masters, Jean Rouch, 1955). "I am interested in referencing the main stream film industry. I am a huge fan of The Marx Brothers, Mae West and directors such as: Andrzej Wadja, Pasolini and Nic Roeg. In the film The Call of The Wild I have tried to work from Nic Roeg's introductory edit in 'Walkabout'." -- Spartacus Chetwynd

DURATION: 12 minutes (B&W, sound) Peggy and Fred in Hell, Thornton's ongoing and open-ended series, maps a surreal, quasi-apocalyptic realm littered with the detritus of a pop culture bursting at the seams. Castaways in this wilderness of signs, Peggy and Fred are, as Thornton states, "raised by television," their experience shaped by a palimpsest of science and science-fiction, new technologies and obsolete ones, half-remembered movies and the leavings of history. An exploration of the aesthetics of narrative form as well as the politics of the image, Thornton's rigorously experimental oe

CC BY-NC 2013 Johanna Drucker Banff Art Centre, February 12-18, 2013 By convention, this information pretends to a modesty in appearance it does not possess in effect.

6:17, b&w, silent Rainer's first film, Hand Movie, was shot by fellow dancer William Davis when Rainer was confined to a hospital bed, recovering from major surgery and unable to dance. The resulting five minutes of footage is a sustained close-up shot of Rainer's hand against a grey background as it stretches and contracts, bends and points, performing the kinds of everyday, quotidian movements that characterize her pioneering minimalist choreography. http://www.ubu.com/film/rainer_hand-movie.html

2001, 15 min, color, sound Re-editing footage collected from months of playing Tomb Raider, Ahwesh transforms the video game into a reflection on identity and mortality. Trading the rules of gaming for art making, she brings Tomb Raider's cinematic aesthetics to the foreground, and shirks the pre-programmed "mission" of its heroine, Lara Croft. Ahwesh acknowledges the intimate relationship between this fictional character and her player. Moving beyond her implicit feminist critique of the problematic female identity, she enlarges the dilemma of Croft's entrapment to that of the individual in a

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